I am semi-retired, having worked as a researcher concerned with health issues during my working life. I wrote many books for health and social care professionals, but my real passion is writing narrative non-fiction, books using direct quotations from interviews to bring people’s views and experiences ‘alive’ on the page. My most recent book is about what it is like being a grandmother (Celebrating Grandmothers), but I have also written books on people with HIV/AIDS (Wise before their Time: Foreword by Sir Ian McKellen) and on people working with the dying (Life in a Hospice: Foreword by Tony Benn, MP). The latter was Highly Commended by the British Medical Association.
I am American born, but have lived in London for nearly fifty years with my English husband. We have two grown up children and two grandsons.
What inspires you to write?
I have always loved to write, from when I was a young girl, and am very interested in what makes people ‘tick’. At one point, I thought I would be a novelist, but I felt I lacked the necessary imagination. In my work, I used a lot of quotations from interviews and I learned that a good interview, undertaken confidentially, elicits the same kind of ‘inner view’ than one gets from a novel. I therefore love writing narrative fiction, as the resulting book reads like a novel, although based on actual people. I love the creative process of bringing the interviews together into a coherent whole.
Tell us about your writing process.
I start with an outline of my book (just a page, in Word) and some of the subheadings of chapters. I then do my interviews, based on these ideas, but always allow for new ideas to emerge. The interviews are transcribed verbatim (word for word) and I go through them to pick up all key points made and edit, for instance, incomplete sentences. After that, it is a matter of finding a logical sequence and choosing which quotations to use.
What advice would you give other writers?
Follow your instincts when writing. Check with others before publishing, to ensure that the book flows smoothly and, of course, is properly copy-edited.
How did you decide how to publish your books?
All my books were published traditionally with well-known publishers, but for my last book (Celebrating Grandmothers), it was a very simple decision: I couldn’t find an interested publisher, much to the surprise of my agent.
I would advise writers to look to traditional publishing to see how they respond, but not to be upset if they get refusals. There are many benefits in self-publishing, as you have control over the contents, the cover and the later marketing. You also get higher royalties. The main downside is the prejudice that still exists in getting your book reviewed and into bookstores, although it is possible.
What do you think about the future of book publishing?
I think traditional publishing is digging itself into a hole, as self-publishers invent all kinds of ways to attract readers, such as amending the price or selling one book free in a series. Traditional publishers may eventually learn such new tricks, but otherwise they will retreat into publishing fewer and fewer books that feel like a ‘safe’ bet.
What do you use?: Professional Cover Designer, Beta Readers
What genres do you write?: Narrative non-fiction
What formats are your books in?: Both eBook and Print